Monday, February 24, 2014

1963 Epiphone Coronet Silver Fox

It's hard to beat a hot Gibson P-90, a wrap tail and a slab of Mahogany.  1963 was the first year of the batwing headstock and the custom color they called Silver Fox.  The early 60s saw many funky new designs including the Fender Jaguar, Gibson SG and endless Chicago made cheapies branded Kay, Harmony and Silvertone.  This guitar is light, super resonant and the P-90 just screamed.  The neck was actually 1 9/16" wide which was odd for Gibson pre-1965.  This bare bones rock machine paired with a tweed Fender Deluxe was more than enough to get an acoustic, folky type to play some of those classic rock licks.  

Do you have one of these that you would like to sell?  I'm looking for another.  Please email me about what you have for sale.

Saturday, February 8, 2014

1943 Gibson J-45

This 1943 Gibson J-45 came to me in the original case with zero prior repairs.  The bridge had pulled up and the bridge plate had puckered a bit so I had it expertly repaired by Jason Burns here in Birmingham, AL (  It came out gorgeous and the tone is truly spectacular.  Collector value is one thing but true tonal superiority is quite another.

Collector Value

I don't normally enjoy talking up the collector value on vintage instruments because it's usually pretty obvious.  However, this one deserves a bit of press for its rare features including the Mahogany top, no truss rod neck and original Lifton case.  There's more information on banner era instruments in John Thomas' recent book, Kalamazoo Gals.  

During the height of World War II the United States government imposed materials restrictions on manufacturing that cause companies like Gibson to improvise a bit.  Among those restrictions was Spruce which was used for guitar tops as well as steel, used for truss rods and tuners.  Gibson began running low on good quality Spruce in late 1942 so they began using 3 and 4 pieces glued together.  That only lasted a short time until the started using Mahogany for the tops.  Mahogany tops can be found on banner era models between late 1942 and midway through 1944 when they were acquired by CMI.  Gibson began using Spruce for Sitka, AK after the buyout.  Truss rods seem to follow a similar time table in that guitars without truss rods started being produced at random in late '42/early '43.  Truss rods reappeared as a standard sometime in 1944.  Tuners were being produced with thinner cogs which was supposed to save steel (albeit very little).

This guitar has all those juicy wartime features.  Instead of a truss rod, Gibson produced the necks a bit thicker and fuller with a triangular Maple rod in the center of the neck under the fretboard.  These necks are surprisingly stable and this one is no different.  The tuners have held up well too and don't seem to want to give up.  If I was to play this daily I would certainly replace them in order to preserve the originality.  The original Lifton case is in great shape with the original handle.

Player Value

The most surprising thing about this one was definitely the great tone is has.  It's loud but warm with woody overtones.  It's has the Americana dry thump but also crisp, articulate highs.  It really is all that they say they should be.  These banner era guitars just have the Gibson tone.  

My go-to playing style is fingerstyle blues using finger picks.  Gibsons usually lend themselves to this type of playing so it was no surprise when it sounded- and played- great.  The real surprise was when I flatpicked and it was loud and cut so well!  I couldn't have hoped for it to sound any better.  It does everything I need for an acoustic and then some.

"Squirt" Soda

This kind of thing was very common back in the 30s and 40s.  People wanted to adorn their instruments with stickers featuring their initials, puppies and kittens, brands, etc.  This one happened to receive a Squirt soda sticker on the back.  I love this sort of character as long as it isn't too distracting from the rest of the guitar.  This one is placed inconspicuously on the back so I'm happy to let it remain there for the duration of my ownership.

Do you have one of these that you would like to sell?  I'm looking for another.  Please email me about what you have for sale.

Thursday, February 6, 2014

1966 Gibson ES-330

Here's another ES-330 that I was lucky to babysit for a time.  This one was made in Kalamazoo, MI in 1966 but had been played very little before I snagged it.  This model is, in my opinion, the most under valued vintage Gibson electric out there.  The fully hollow body does make it a bit more prone to feed back at high stage volume but also makes it comfortable, resonant and warm.

Do you have one of these that you would like to sell?  I'm looking for another.  Please email me about what you have for sale.